Tony Monahan
Fine Art Images and Structures
The most predominant image used in my work is that of the turtle. The shape and design of its shell universally identify this particular animal to all people and cultures. Along with protection and strength, the shell of a turtle provides intricate designs, color and geometrical structure. I am often asked the question, "Why turtles?" The question is difficult to answer, other than to say it's just the way I see things. Artistically, I see and construct the world through the use of turtles, which manifest themselves in various designs and patterns. I make no excuses, for me it's all about turtles.
I have been producing artwork since 1997. I started working with acrylic paints on canvas and soon switched to working with papers. Presently, the majority of my work is made from what I call, Paper Structure. This medium is layered paper on paper, which is thicker and more dimensional than paper college or papier mache. In order to construct a piece, I must first deconstruct it into its' individual pieces, then reconstruct it as a whole.
My pieces usually contain elements of color, nature, science and mathematics. I also strive for my work to engage children, as well as adults, with intention to inform as well as entertain. The art I have been able to conceive include the use of mathematical sequencing, geometry, representations of physics, astronomy, human anatomy, world languages, and nature, as well as fantasy and folklore. I do not use paints to color or design the paper. The papers are procured for their color, texture, patterns, and compatibility with the images I am planning. I often spend years collecting the right types of paper before starting an art piece. I also like to use mat board - thick paper used in framing - which often makes the art three-dimensional and heavy.
I consider creating this type of artwork to be both a struggle and a joy. The struggle lies in gathering my strength, dexterity, and time to execute the physical aspects and intricacies of creating each piece. The joy occurs when the images that I have been visualizing for years is materialized into something that everyone can see.
I have been producing artwork since 1997. I started working with acrylic paints on canvas and soon switched to working with papers. Presently, the majority of my work is made from what I call, Paper Structure. This medium is layered paper on paper, which is thicker and more dimensional than paper college or papier mache. In order to construct a piece, I must first deconstruct it into its' individual pieces, then reconstruct it as a whole.
My pieces usually contain elements of color, nature, science and mathematics. I also strive for my work to engage children, as well as adults, with intention to inform as well as entertain. The art I have been able to conceive include the use of mathematical sequencing, geometry, representations of physics, astronomy, human anatomy, world languages, and nature, as well as fantasy and folklore. I do not use paints to color or design the paper. The papers are procured for their color, texture, patterns, and compatibility with the images I am planning. I often spend years collecting the right types of paper before starting an art piece. I also like to use mat board - thick paper used in framing - which often makes the art three-dimensional and heavy.
I consider creating this type of artwork to be both a struggle and a joy. The struggle lies in gathering my strength, dexterity, and time to execute the physical aspects and intricacies of creating each piece. The joy occurs when the images that I have been visualizing for years is materialized into something that everyone can see.
Tony Monahan produces Fine Art Images and Structures and lives and works in RI